Rather than the traditional glass or stone, Lowder’s mosaics are composed of reclaimed wood, often sourced from barns, and metal signage—materials that reflect his Midwestern milieu. In some, bits of hand-lettered typography appear in a reorganized jumble. It’s like looking at an old country store through a kaleidoscope. And yet, references to religious icons and celestial phenomena suggest a sort of spiritual geometry, taking Lowder’s compositions beyond remixed Americana. They’re more reminiscent of the diagrams in illuminated medieval manuscripts.