Meet an Artist Monday: David Orr (LA Weekly)

“Artist David Orr is engrossed in the pursuit of knowledge, seeking through study and experiment the mandalic systems that form the natural order of the universe. Like a host of artists, musicians, philosophers, and scientists whose investigations into everything from the atom to the psyche to the weather have progressed human insight for millennia, Orr is omnivorous in his curiosity and eclectic in his expressions. At the heart of his visual art is a layered process of observation and interpretive design that yields compelling patterns giving shape to invisible forces—mandala-like and meditative, responsive to sacred geometry, and availing of digital cosmology. An exhibition of Orr’s new work in photography and video opens this week in Santa Monica, offering a space of wonderment and reset at the start of a new year.” — Shana Nys Dambrot, LA Weekly

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Exhibition Review: Andre Yi, "Obliterate" (Art and Cake)

“Before turning to sculpture, Andre Yi created delicate paintings and drawings. His early works were detailed renderings of natural and architectural elements centered in large expanses of soft color, often juxtaposed with swirling ribbon shaped white lines that suggested flowing rivers… Imagining a progression, it is possible to see the trajectory from Yi’s paintings which were becoming more abstracted while remaining two-dimensional, to his current constructions. It is as if the trees and the background disappeared leaving just the geometric shapes.” - Jody Zellen for Art and Cake

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Exhibition Review: Katie Kirk, "Parts and Motions" (Maake Magazine)

“Walking into Parts and Motions, a solo show of new works by Katie Kirk, you begin with a lone small painting hanging almost surreptitiously to the left… The main space proposes a world where the divisions of drawing, painting, and sculpture are fluid and where the acts of making are interchangeable… As a material lover, I really gravitated close to each piece.  Standing nose to surface, it was a pleasure to stay with one and dig into the drips, the ‘paint skins’, the rubbings, drawings, twists in clay, and glaze…” - Christina Han for Maake Magazine

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